A few years ago I discovered our local Good Will store has a few shelves of DVD’s in their book section. I found some great movies to entertain my grandchildren when they were babies. Now I check those shelves monthly because I am building my library of feature films, comedies, and romances from the 1990’s and 2000’s. During an all day Story Mastery workshop a few years ago, Michael Hauge stated that Hollywood doesn’t make good romantic comedies anymore. I think I understand what he meant then. Studying classic movies is a great distraction from the current political news.
In my opinion, this current election season in America is being watched and analyzed by a lot of very smart people, especially college students, around the world. If you want a lighter side look – Mike Rowe gave a great recap in his “That’s Debatable” article earlier this month. If you don’t know Mike from the show Dirty Jobs, you may recognize his voice as the narrator for a few adventure shows on the Discovery Channel.
No matter who moves into the oval office in 2017, I expect that escapist fiction with uplifting endings will still be sought for entertainment. It amuses me that The Donald and Ivana Trump had separate cameo appearances as themselves in what are now classic comedies from the early 1990’s. A wonderful movie released in 2008 features the Clinton campaign of 1992, and beyond. I may not comprehend politics while it is in process but it does shape our lifestyle and history even in romantic comedies, and especially when the Tom Hanks character states he hasn’t been in the dating game since Jimmy Carter was president.
I don’t remember if I ever viewed a full uncut version of “Sleepless in Seattle” until a few months ago when I found a 10th Anniversary Edition for three dollars. In the special features is a commentary by the director Nora Ephrom and her sister, Deliah, as they reminisce about writing and filming the movie as they watch it together ten years later. They don’t discuss plot-points or bloopers but how maps and magic were themes; and the importance of having action buttons to end a scene. They chatted about the color palette and specific use of red and how it was limited until a certain point in the story, and that Nora hates royal blue and seldom has any blue in her movies.
One comment Deliah made during the commentary of “Sleepless” is that we watch these romantic stories to fall in love again. We only fall in love once and go to the movies to recapture those feelings through experiencing others falling in love even though we know it is “love in the movies” and not love in reality. I can relate to that concept personally. I specifically relate to romantic comedies when they include ensemble casts and I am fascinated when the settings are a character on their own, like how the Ephrom sisters include NYC as edgy and dynamic flavor for the story.
I was scanning through news headlines last week and noticed a tiny item relating to Nora Ephrom and that one of her sons has completed a documentary about her life and works. This was a delightful confirmation that learning about Love in the Movies is worth my attention.